Tuesday, February 7, 2012

Artist: Sam Arneson


About the Artist
Sam Arneson is a cartoonist from Southern California. He has earned a living as a caricature artist over the years but continues to explore the boundaries of his creativity in all mediums and styles, from painting to murals and collaboration with other artists. His current medium of choice is acrylic on wood.
He lives and works in Portland, Oregon.

Websites

Sunday, February 5, 2012

Words: Jeff Hardison

Jeff Hardison is from Kentucky, and he tells stories.  Jeff has worked his magic at local storytelling and performance venues such as BackFencePDX, Ignite Portland, and at a series he co-founded, Blather. 
Jeff was also picked to tell a story at the recent Louisville stop of The Moth’s live event. He somehow manages to squeeze in time for a day job with a mobile-software company.
Jeff will be onstage at Works, and agreed to answer to a few questions for us via e-mail.

Q. A Google search has revealed the following facts about you: Fact #1: You registered for a Soda Stream for your wedding. Fact #2: You know Britt Daniels. Fact #3: You are the grandson of a preacher. Fact #4: You hate mayonnaise.  Can you give us a fifth fact that will make our understanding of Jeff Hardison complete?   
A. Yikes. Fifth fact: We are not our search engine results. Let's talk about one of those results instead. I love me some Soda Stream action. Push hard on that button until it sounds like it's going to blow up. Then, keep pressing about nine more times until there's enough carbonation in that water that you get indigestion from drinking it – even five days later. Creating your own soda is a childhood dream come true.
Q. Your persona as an elementary school kid: Clown? Troublemaker?  The shy one? Other?  Do you still identify with your kid-self, or is everything all different now?
A. Today, I feel similar to the elementary school kid. Shy in situations with new people. Troublemaker once I get comfortable.
Do we ever change, really? Perhaps our strengths and weaknesses--our light and darks sides--wax and wane depending on how much self-control we want to exert.
Q. How did you come to stand on stages and tell stories – and why do you keep doing it?
A. I grew up in theater and chorus and all of those performing arts. But there was something about the act of interpreting someone else's work that fell short for me. About the same time I had that falling out with theater, I fell in love with literature: Nothing makes me feel less alone than a good book. In college, I majored in literature, yet missed interpreting the written word on stage.
Storytelling offers me the opportunity to wed two artistic endeavors I love, theater and writing, in a way that feels very comfortable.
Regarding what keeps me going, I guess the popular thing to say is "Because I have to--I must express myself." But that's not the case for me. I'll only tell stories for as long as event organizers ask me to do it. Whether it's playing drums in a band or writing or telling stories, my worst nightmare is to be that person begging to be noticed.
Q. Many of the stories you tell are unrehearsed. Have you ever been really surprised by something you said on stage?
A. In day-to-day life, I say inappropriate things all of the time. Therefore, I never feel shocked by anything I say in the moment. However, looking back, I'm often surprised that I had ever thought something would be taken as funny or poignant. When, in retrospect, it wasn't.
I must say I do enjoy making people feel slightly uncomfortable – without going too far. Whatever the fashionable ideology is at the time, I enjoy messing with it.
Q. Can you give us a little preview of the story you’re planning to tell at Works?
A. Many of my stories are about forgiveness. Offering it and withholding it. This story will be another one about that value.
Photo by Inger Klekacz 

                                                                       

Saturday, February 4, 2012

Artist: Jenn Feeney



About the Artist
Jenn Feeney’s childhood was spent around a commercial print shop her parents acquired from her grandfather. She always had reams of paper to play with and would spend hours drawing and making things like play money or little flip books. She supposes one could say there is ink in her blood. By chance, when she joined the working world, she ended up working in print – first in corrugated and then in business print and promotions, which is true to this day. 
Currently, Jenn is working at a printmaking studio. Most of her prints are one-of-a-kind monotypes, also known as painterly prints. They are created by applying ink to a smooth plate, and then transferring the image to paper by means of pressure through a press. Jenn finds the process of making a monotype intriguing and exciting. She uses everything she can get her hands on as a tool for making marks, adding or removing ink, spreading, thinning, stamping, stenciling, just to see what kind of effect it will produce. Then she layers the ink – color over color, texture over texture – every time it’s a thrill and a surprise to peel the paper from the plate.
Painting has taken a back seat to Jenn’s printmaking, but when she does paint she primarily use acrylic on wood or canvas. Her approach painting is the same as her printmaking – trying different approaches to achieve interesting textures and colors.
Jenn lives and works in Portland, Oregon.
Website
info@jennfeeney.com

Friday, February 3, 2012

Artist: Emily Bates

About the Artist
Emily Bates, an oil painter originally from England and now residing in Portland, grew up on an estate in the English countryside. After moving to America in her late teens and obtaining her bachelor's degree in Art and Art History, she began more conscientiously incorporating her interest in the Victorian era and the English flora and fauna into her paintings.
Textural backgrounds and demure subjects are reminiscent of her childhood memories on the estate, when she would wander in the woods, hoping to catch a glimpse of a secretive fox or deer and would take refuge in the stately house, creeping around its many corridors and grand rooms, thinking of the original family that lived there in a time long-passed.
Website

Wednesday, February 1, 2012

Musician(s): AgesandAges

We are thrilled to have Portland's beloved AgesandAges at Works this year!


"AgesandAges didn’t start as a cult, but there’s a pretty good chance it’ll grow into one." Knitting Factory Records

"It’s not too often that an album sinks its teeth into a listener within the first five seconds. AgesandAges’ debut, Alright You Restless, does just that—the clap-along hick-funk beat and folk-rock licks of opener “No Nostalgia” seem pulled straight out of the Band’s playbook...Fifteen seconds into the track, the group’s thick, tight-but-exuberant vocal harmonies have entered the picture, and it’s almost too cool, too perfect to stand." Willamette Week